Ken Abrams
Well-known member
Rudi Richardson wrote:
Rudi, thanks. Tell the missus he's the guy that does my yard work and sometimes lives in my doghouse.
and yes Jon Hayward, the scalemodelmedic is a member here and you can find his videos on youtube via search or my channel, he has a slightly different take on using pigments and gets really great results.
tomwes wrote:
No worries Tom, I enjoy sharing how I do things. If it helps someone with their own methods that's even better.
moon puppy wrote:
Thanks Moon,
while you may be able to get similar tones/colors, I don't see how you would get the same three dimensional, caked on build up that the pigments offer. The more pigments you add the thicker the pigments become, building up on the previous layer, oils on the other hand would remain flat on the surface, wouldn't they?
Iron Mike wrote:
My pleasure.
:peace
Ken's video is really great! My wife wants to know where you found the Vin Diesel looking guy.
Also look for "ScaleModelMedic"'s videos on YouTube - you may even find a link from Ken's channel.
Rudi, thanks. Tell the missus he's the guy that does my yard work and sometimes lives in my doghouse.
and yes Jon Hayward, the scalemodelmedic is a member here and you can find his videos on youtube via search or my channel, he has a slightly different take on using pigments and gets really great results.
tomwes wrote:
That was a great video Ken, learned alot in 10 minutes...wow!
Tom
No worries Tom, I enjoy sharing how I do things. If it helps someone with their own methods that's even better.
moon puppy wrote:
That's COOL Ken, I was going to say I don't know why I missed this, I do, life has been nuts lately.
Most enjoyable 10 minutes I've had in a couple of days.
Question though, and Since this is Weathering 101 I think we're on topic.
Would it be a true statement to say that we can get pretty much the same effect with a Dot filter as we do with this pigment treatment? (exempting the blown mud technique at the end, I REALLY liked that! )
Thanks Moon,
while you may be able to get similar tones/colors, I don't see how you would get the same three dimensional, caked on build up that the pigments offer. The more pigments you add the thicker the pigments become, building up on the previous layer, oils on the other hand would remain flat on the surface, wouldn't they?
Iron Mike wrote:
Awesome, Ken! Thanks for sharing!
My pleasure.
:peace