Getting the Brushes Wet
I was finally able to get the last clean-up out of the way and begin to study the flesh tones I’ll be working with. The tonal variations are like anything else, vast, so I’m not going to sweat the small stuff, just get these guys within an acceptably realistic range of reality. In other words, I don’t want to exaggerate the tones too much and I don’t want our Trooper looking too pale. Afterall, he’s used to being in the sun himself.
kaz6120,
https://www.planetfigure.com/members/kaz6120.6130/ was kind enough to refer this book to me which has a ton of information on color mixes and flesh tone variations. Not being a pro at color theory at all, this really brought things together enough for me to understand that I’ve been wingin it by sheer luck all along, HA! Ah, who cares, my eye for color seems to have been worked decent enough so far. In all seriousness, if you don’t have a decent book on color theory and application, this one might do you some good as it has for me. So, I did a mix of the bronze and red tones for Native American Indians. I want a slight variety without getting to far afield. We’ll see how that goes as we progress.
You can see the palette has been mixed and the figures are ready. I started with the chief just to see how bad I was doing and whether or not I would need a second run at it. So far, so good. For not picking up a brush in a long time I’m liking it. Seasonally my first run is usually a disaster and oven cleaner takes center stage, but not today. I’ll get into that further on down, but first I wanted to show yall the head dress. It looks like Madusa’s hair dryer went on the fritz, but then I remembered, she’s always having a bad hair day. Do you think those tassels are too long and too thick? I’m always ready to adjust if it can be done, so now would be the time to fix them. I’ll see what yall are saying and go from there.
Milan Dufek has a few techniques I’m adding into the mix as well as my favorite oil painter, Daria Calle. Milan uses a pre-shaded work space in the base color whereas Daria uses a grey neutral as her starting point. I know it may sound crazy, but I’m working them both into this process to see how I can adapt both techniques. I like how Milan uses a separate blending brush, which I am just now learning how to use, and Daria is all about blending those colors, something I’ve always done from the beginning. As you can see from these initial pics both techs have been incorporated and the results appear to be acceptable, especially for my first run at it. Let me know what yall think, I’m all ears.
Lastly, I was not in any hurry to move onto the next head until I had some definition around the chief’s face, hence the band and feather color placement. These are just initial colors for starters. Ya know, with Madusa’s hair flying all over that back side of that war bonnet, it does make for some careful brush work, lol.
Website refs:
More to follow very soon, and feel free to comment. Thanks for watchin. Cheers, Ski.