CHAPTER VI - Main rotor blade & transmission components construction
The rotor blade is made of styrene sheet softened in boiling water to stretch 'n' turn in a way to look realistic. I also tried soft and careful sanding on the blade's leading edge to be shaped as realistic as it should be. The transmission shaft components and minor details also made of styrene, sprue and metal wire bond together with CA super glue. Everything was sprayed with Humbrol light grey primer when ready to paint.
CHAPTER VII - Applying paint, wash & weather effects
Model parts were washed with liquid soap and warm water to disappear leaving oil traces, fingertips etc and then sprayed with Humbrol light grey primer.
Usually, there are two available options for a scale modeler, to apply paint on a model:
- Paint the individual parts first and assemble the scale model later and
- Assemble the scale model parts first and paint the overall built model later.
While building this Bölkow Bö-102 Helitrainer scale model project, the first option seemed as more appropriate and would make my job easy. Unfortunately, I had to follow the second option – and that was not the only bad news. Building first and painting later, would be more difficult and would take much longer, but the reason I chose first to assemble most of parts and paint later, is because most of the Bölkow Bö-102 Helitrainer scale model’s airframe consists of a tail boom structure, in which contained the Hirth 3-cylinder / 2-stroke 40hp ILO L3X375 piston engine, the transmission components, the cable wiring etc that could not be masked without causing any damage. It could be very difficult – maybe impossible - to airbrush for example the tail boom and manage to leave the interior details remain unaffected by the painting same time. Here comes the bad news: Tail boom structure would be painted by using fine brush and lot of patience to avoid leaving any brushing marks that would be clearly visible on such a big scale as the 1/18 is.
After preparing the engine’s basic elements, connecting electric cables and oil or fuel lines, I airbrushed the engine block with Life Color LC24 Matt Aluminium FS37178 acrylic paint as a base coat and apply darker enamel mixtures using the Humbrol #27001, #27002, #27003 metal cote paint and finally add some Mr Metal Color #212 Iron on the engine and let about 24hrs to dry before trying dark brown and black washes.
As I personally believe that following simple techniques and sometimes unconventional methods, result in superior effects, I usually do not use enamel or acrylic paint to wash, because I feel risky when applying the paint mixture and let it run. I prefer an easier technique that can be undone if the results are poor - that makes it the perfect technique. I use hard chalk pastels to wash (NOT oil pastels). The hard chalk pastels, looks like a teacher would use on the blackboard in school. Do not use the soft oil pastels that artist use to draw on paper. The hard chalk pastels are easy to find in a variety of colours into your local art store or maybe
Wal-Mart if in US or
ASDA if in UK.
To do the wash, I use an blade, a small metal or plastic container, an old toothbrush, dish washing soap and a bit of water. Begin by scraping some chalk powder from the side of the chalk pastel stick, carefully put this chalk powder into the small container and add a tiny amount of water and stir. It is important to add a tiny amount of water in order to make the mixture look like mud - not like soup! For this reason, I use a syringe to add just few drops on the hard chalk pastel powder and I stir using the old brush. Because the chalk powder doesn't mix well with the water, a drop of dish washing soap is needed to break the surface tension of the water and also acts as a “glue” to help the chalk powder stick to the model.
Once the chalk is fully dissolved into the water/soap mixture it is time to “paint” this mixture onto the model's engine. “Painting” the mixture is simple - just apply it anywhere it is needed to darken recessed detail. The mixture can be applied carelessly, because any mistakes can be completely removed and redone. Once the chalk wash dried, I rubbed off the high spots with a slightly damp dry (not wet) Q-Tip cotton swab (Kleenex papers can be also used) and I wiped the dark colour from the areas should be light & shinny. The high spots were cleaned to the bare metal finish and the low spots were left black. I did the chalk wash on the engine in under 30 minutes which makes it a very quick and effective technique.
Some of the wash mixture is re-applied and the wash being wiped completely out of the narrow points. If you follow this method, it is adviced to not rinse out the wash container till you are finished this job. You will probably be touching up certain spots a few times, so it helps if you're not mixing up a new chalk mixture each time because you kept cleaning out your container of the chalk wash mixture. As soon as I paint the electric cables, the oil or fuel lines etc, I repeated the wash process with lighter colours where needed. Using micro cotton batons found into cosmetic shop for less than 1£, I applied some brown chalk pastel powder on the engine's chrome exhaust, to make it look overheated. I repeated the weathering process until it satisfied me and finally I sprayed a Humbrol clear coat to seal the chalk powder on the engine.
Dark brownish pigments & chalk powder shades, dissolved in water and spread in selected engine block spots gave a better look. When satisfied with the result, I began the tail boom painting process. To do so, I used the Life Color UA140 Yellow RLM 04 FS33538 colour which is actually the colour found into the official Bölkow’s technical order manual. Paint applied over 2-3 very diluted (almost pure water) thin layers, one after another, using a fine brush, keeping in mind that leaving paint marks should be avoided.
CHAPTER VIII - Tarmac & grass display base construction
I found nice idea to place the Bö-102 Helitrainer on a display base, simulating a concrete ground area. The idea was to establish the picture of an abandoned small airfield in Vlotho, where the Helitrainer used to rest for decades till found and finally donated to the Hubschraubermuseum helicopter museum in Bückeburg, Germany. The museum workshop team, managed to restore it and display it as on of these experimental helicopter training devices. From my local store, I bought a 20x30cm polished wooden picture frame.
I add some grams of plaster powder and few drops of water with a syringe into a soft rubber cup to make the right mixture. Materials like plaster, start as a dry powder that is mixed with water to form a paste which liberates heat and then hardens. Unlike mortar and cement, plaster remains quite soft after drying and this characteristic make plaster suitable for the job. Keep in mind that adding salt into wet plaster mixture, reduce the plaster's hardening time and adding vinegar into wet plaster mixture, extend the plaster's hardening time. When the first layer of thinned plaster applied on the picture frame, a glass were pushed against the plaster to form a flat basic strong cast. The basic idea, is to produce a totally flat cast and later add some detail or apply extra stuff where is needed.
I left it few hours to get harden in order to be sure that the cast wouldn't break when I would try to cut it into desired shape. Meanwhile, I took the soft rubber cup which I used to make the plaster mixture, squized it to break the last hardened plaster left inside, so it would be easier for me to clean it afterwards and prepare it for any future mix. That's the reason this soft rubber cup were used for.
As soon as the plaster cast got harden, cut into shape and the concrete plaques were lined with a scriber, I used my airbrush to paint it. After the polished wooden frame was covered with masking tape, three different acrylic paint layers were applied on the plaster surface. First, mat black colour covered the area and then a light grey applied with airbrush, spraying in almost zero degrees angle, to let the darker areas between the concrete plaques remain naturally dark. The corner was paint with earth tones and as soon as the acrylic colours dried, I tried some drybrushing on selected spots using sand tones.
As for he grass & plants, I used different colors of static grass from my local hobby shop, empty them into a plastic box and make a mixture.
Water based white glue for wood, which becomes transparent when it dries, is just the right for the job. So, I opened a 500gr canister bought for €2 only, pick a small quantity, add just few drops of water with a syringe into a small metal container to make the right mixture and finally I applied on the desired areas to be filled with grass & plants, using a wet brush. Because the mixture is enriched with water based glue, it is easy to correct possible mistakes.
As soon as the result was OK, I sprayed over with Humbrol enamel mat coat, to seal the paint and grass, so far. I left it overnight and as soon as the enamel mat coat dried, I add very few light & dust effects with chalk dust and pigments.